Saying when I started painting is
like trying to say when I started thinking. I would like to
say that I always had this urge to be creative but I can’t.
I always have been creative but it was never an urge, it just
was. In my early childhood, where I was the youngest and only
boy born late in life to a father of Italian heritage and
a mother of Scots/Irish heritage and with three older sisters,
I often fashioned my own toys and made my own games. I needed
to entertain myself, as there were no other children my age
in the semi-rural neighborhood where I grew up. There were
open fields, old buildings and sunny days with my dog, Boxer.
It wasn’t until my teens and the
60’s, both of which arrived with a tremendous explosion
of ideas and realities, that I truly discovered that there
were others such as myself and that I could relate to them.
In my late teens and early twenties I was introduced to photography
by Charles Francis, then a brother-in-law. It was in San Francisco
when doing your own thing meant to find out what truly interested
you and do it. That was how you could fit into society. It
had quite a different meaning then than the self-indulgent
model portrayed today. So I was introduced to photography,
jazz, theatre, improv acting, literature and a very hip scene.
It was one in which the arts, music, cultures and intellectual
pursuits met on a common ground. I should say that at this
time I, also, studied improvisational comedy under Cindy Kamler
at the Committee in San Francisco for a short period of time
and was in several performances. I was blessed to work with
likes of Joe Spano, Robin Williams and Howard Hessman amongst
others. But I wasn’t ready to step out. So I kept with
the photography while working various jobs. Many prints were
made in my darkroom but no finished product and no shows.
Many jobs were taken but, alas, nothing substantive. It was
in my early thirties while working at Adolph Gasser’s
in San Francisco and studying with Paul Glines that my life
took yet another direction.
While standing in my favorite bar, The
Pub, one Sunday afternoon, I watched a most captivating and
beautiful lady disembark the 38 Geary bus and enter our friendly
confines at the Pub. After several minutes of secretive glances
across the room, she walked past me and in my most suave manner,
I said “Hi.” She asked me if I remembered her.
I didn’t but mumbled out some sort of story and she
laughed. Her name was Arlene and we had been born 10 days
apart at St. Joseph’s Hospital in Stockton, California.
We had gone to kindergarten, grammar school and high school
together. We had not seen or heard from each other for 16
years. We married 8 weeks later on September 29th.
It was a 22 year marriage in which we
had one son, yet that marriage ended in a disaster of death
and deceit. A lady that was our friend throughout the marriage
was given a place to stay after she had lost all of her savings
and job in San Francisco. We were now living in a small town
in Northern California. I had started a computer training
school and we were doing well and planning retirement. This
friend, Joanna, counseled my wife to follow her bliss and
leave the marriage and family; that a mother had to “kill
the relationship with her child before a new one could grow.”
She, never having been married nor having had children, was
to be rewarded with our family home for her efforts. This
was done as we were closing the school; planning on retiring.
My wife, of her own volition and at the behest of others,
retracted a 22 year promise and what was to be my retirement
was taken away. Separation and then divorce proceedings were
started and continued even though she had been diagnosed with
terminal cancer. She worked with a bank in Stockton and her
lawyers and family to transfer the title to our home to this
lady friend, without my knowledge. It was a Machiavellian
drama in which my son and I were misbehaving and were but
pawns. The die had been cast and she and her counselors were
the directors and producers of this ever so strange drama.
In the midst of this vortex of betrayal I was guided back
to my creative work by friends and told to continue my writing,
which I had been studying. The camera beckoned. It was my
outlet, my sanity. I was now using digital equipment and started
working with photo manipulation and collages. Seeking safety
and security, my son and I moved to Chandler, Arizona. Shortly
thereafter, my wife died. The ultimate divorce had taken place,
while the legal one had not.
While here in Arizona, I continued my
studies of digital art but with a greater intent. It was while
taking a course in Basic Design at Scottsdale Community College
I was given a painting assignment that this new direction
and phase took hold. The pace of working with paint, the play
of colors and the corporeal element of textures fueled a passion
to continue and it captivated me. I was working on this assignment
in class when my instructor, Dr. Susie Khalil, stood behind
me, telling me that the piece wasn’t yet done and then
she quietly said that she wouldn’t let me retire. It
was the start of a wonderful relationship.
And the story continues, as does my work.
I am now living in Chandler, AZ with my son. He is now in
college and I work fulltime on my paintings and part-time
elsewhere. I feel that I have been given a gift in that I
see the world a bit differently from many. The forms, the
play of colors and lines that I perceive are all reflected
in my work and are part of my gift back to you. I hope that
you enjoy my work. You can purchase either prints of my work
on-line or at locations where it is displayed. I am also available
on a commission basis. And now let me thank you for your time.
Ralph Muzio
ramuzio@cox.net
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